I am utterly stunned to learn this evening of the death of my favourite wedding dress designer Ian Stuart, at 55. You can read more about Ian’s illustrious career here, but I want to record what his work has meant to me personally.
Ian’s designs caught my eye years before I was even engaged; his website was the one I least wanted my then boyfriend (now husband) to spot in my search history.
Once I was engaged, I coveted his pale green Bellini dress for my own wedding but, before I could even find a stockist (or my bridesmaids try to tell me the swirl lookes like a cat’s bottom), my mum vetoed the green.
In the early noughties, his was the rare voice in boutique bridal proclaiming, “You CAN wear colour,” and his work has massively influenced how I approach my own.
Ian struck that elusive balance between veering from the beaten bridal track – where I go – with mass appeal and therefore phenomenal international commercial success.
He remains the only wedding dress designer whose dresses I have actually bought, just to study and admire. I own three. One – Pompadour, in coral pink – I actually wore once I’d restyled it into a cocktail dress for a friend’s military Christmas ball (the dress code wasn’t clear on dress length so I went with both long and short).
Another, his beautifully opulent, silk Flower Bomb, featured in the V&A’s retrospective exhibition of wedding dresses through the decades. Mine, acquired just this summer, hangs in the window of my sewing room, where I learn something new on fabric manipulation, pattern cutting and structure from it every day. I will never wear it – it’s four sizes too small for me for one thing – but it remains my favourite.
I would eagerly await each new collection from Strawplay onwards – Belle Epoch, Runway Rebel, Killer Queen and more – and would pore over each dress in every colourway until I could recognise any of them in the wild (autistic much?). I’m still not over the brand’s sudden, quiet liquidation a few years ago.
I continue to check my saved search I’ve had on ebay since 2005 every day. I’d still love to get my hands on Gainsborough, Crazy Daisy (I can’t even find images any more), Bluebird and Sevruga, and I’d LOVE to study how Harlequinn is constructed.
My heartfelt condolences and all my love go to Ian’s family and friends.
